Corin’s composition for theatre includes; Rosencrantz & Guildenstern are Dead (Old Vic); Closer, The Late Middle Classes; Hamlet (Donmar); Arcadia (West End/Broadway); Jumpers (RNT/Broadway); The Alchemist, King John, ’Tis Pity She’s a Whore, King Baby, Transit of Venus, The Merchant of Venice, Richard III, A Warwickshire Testimony (RSC); Our Lady of Sligo (NT); The Two Noble Kinsmen, The Taming of the Shrew (Globe), A Day in the Death of Joe Egg, Hay Fever, As You Like It, King John (Rose, Kingston); Antony and Cleopatra, The Power and the Glory, Arcadia, Warrior, Blithe Spirit (Chichester Festival Theatre); A Midsummer Night’s Dream, As You Like It, Design for Living, Don Juan (ETT); Twelfth Night (Regents Park) Volpone, The Merchant of Venice, Julius Caesar (English Shakespeare Company).

Opera includes: On the Road with Ron and Ros (Modern Music Theatre Troupe/Purcell Room/UK tour); Bathtime (ENO/Baylis programme); Angela (Rosemary Branch/Third Hand Opera company).

Composition for film includes: Connected, Brothers of War, and many short films for London Film School and Mountview Film School.

As arranger: The Noël Coward Songbook (Ian Bostridge/EMI), The Wars of the Roses (Kingston), Aladdin, Cinderella, Jack and the Beanstalk (Lyric Hammersmith). Work as Musical Director includes: Fosse (European Tour/ Japan Tour), Chicago (London) Hairspray (London). Associate MD for: (all London) Legally Blonde, Women on the Verge of a Nervous Breakdown, The Book of Mormon, Matilda.

Assistant MD: Doctor Dolittle (Hammersmith Apollo), Kiss Me, Kate (Chichester/Old Vic), Kinky Boots (Adelphi. MD for plays includes: Marianne Dreams (Almeida); The Taming of the Shrew, A Jovial Crew (RSC); The Silver Tassie (NT).